Biography / Programme notes

This page is designed to assist programme note compilers. Lesley-Jane has biographies of various lengths so that you should easily find an appropriately-sized paragraph to suit your requirements. From full-length, to mid-length, to short-length biographies, please feel free to copy and paste the desired sections into your publication.

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Full-length biography

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.

Her extensive oratorio repertoire encompasses the mainstream panoply – she frequently performs works by Bach, Handel, Haydn, Mozart, Brahms, Elgar and Fauré – as well as many more unusual pieces.  An exuberant performer when required, she is also a natural choice for large-scale pieces, and for new works in particular.

Lesley-Jane has worked with many leading conductors and orchestras, and her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as various English composer CDs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie and Carma labels.  A keen exponent of contemporary music, Lesley-Jane has given more than 200 premières, and is honoured to be the dedicatee of various songs and song cycles.  Large-scale premières include Joseph Phibbs’ Tenebrae, and Michael Finnissy’s Favourite Poets, but it is perhaps for her numerous chamber music recitals that she is best known. 

Lesley-Jane is also in demand as a “vocal concerto” soloist; in particular her affinity with Strauss's Four Last Songs, Ravel's Shéhérazade, Finzi's Dies Natalis, Canteloube’s Songs of the Auvergne, Mozart’s Exsultate, jubilate and Bach’s Jauchzet Gott makes her a popular choice for this task.  She is also an engaging recitalist, and has a particular love for English Song.


Mid-length Biographies

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For Choral Societies (172 words):

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos” solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.

Her extensive oratorio repertoire encompasses the mainstream panoply – she frequently performs works by Bach, Handel, Haydn, Mozart, Brahms, Elgar and Fauré – as well as many more unusual pieces.  An exuberant performer when required, she is also a natural choice for large-scale works and for new works in particular.

Lesley-Jane has worked with many leading conductors and orchestras, and her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as various English composer CDs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie, and Carma labels.

 

For New Music Concerts (176 words):

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.

A keen exponent of contemporary music, Lesley-Jane has given more than 200 premières, and is honoured to be the dedicatee of various songs and song cycles.  Large-scale premières include Joseph Phibbs’ Tenebrae, and Michael Finnissy’s Favourite Poets, but it is perhaps for her numerous chamber music recitals that Lesley-Jane is best known.

Lesley-Jane has worked with many leading conductors and orchestras, and her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as discs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie and Carma labels.

 

For Orchestral Concerts (172 words):

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in “vocal concertos”, oratorio, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works. She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.

An engaging performer, Lesley-Jane has worked with many leading conductors and orchestras, and her affinity with Strauss's Four Last Songs, Ravel's Shéhérazade, Finzi's Dies Natalis, Canteloube’s Songs of the Auvergne, Mozart’s Exsultate, jubilate and Bach’s Jauchzet Gott makes her a popular choice for a "vocal concerto" in a concert.  A keen exponent of contemporary music, Lesley-Jane has given many world premières, and she is honoured to be the dedicatee for many songs and song cycles, in particular Peter Aviss's 40-minute song cycle How Love Fled for soprano and string orchestra, premièred in September 2013.

 

For Recitals (165 words): 

 

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.

An engaging recitalist, Lesley-Jane's extensive repertoire comprises songs from the lieder repertory, mélodies, English Song, American Song and light music.  She has a particular love of 20-century English song and her discography numbers various English composer CDs for the Divine Art, Prima Facie, Hyperion, Toccata Classics and Campion/Cameo labels.  She is also honoured to be the dedicatee of several new songs and song cycles written by various of our eminent living composers.

Lesley-Jane also gives many chamber music recitals, particularly with the recorder player John Turner. 


Short-length Biographies

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For New Music Concerts (137 words):

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.  A keen exponent of contemporary music, Lesley-Jane has given more than 200 premières and is honoured to be the dedicatee of various songs and song cycles. Her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as discs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie and Carma labels.

 

General (123 words):

Lesley-Jane Rogers is heralded as one of the most versatile soloists of today, and is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She studied singing and piano at the Royal Academy of Music where she won several prizes, and has since been made an ‘Associate’ in recognition of her eminence in the profession.  Lesley-Jane has worked with many leading conductors and orchestras, and her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as discs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie and Carma labels.

 

General (89 words):

Heralded as one of the most versatile soloists of today, soprano Lesley-Jane Rogers is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and has a vast repertoire of several hundred works.  She has worked with many leading conductors and orchestras, and her discography numbers some 40 CDs, including several new-music releases for the specialist label Metier, as well as discs for the Divine Art, Toccata Classics, Campion/Cameo, Hyperion, Prima Facie and Carma labels.

 

General (49 words):

Heralded as one of the most versatile soloists of today, soprano Lesley-Jane Rogers is renowned for her captivating and evocative performances.  An established concert soloist, she specialises in oratorio, “vocal concertos”, solo cantatas, recitals and contemporary music, and her recordings number many new-music releases and various British composer CDs.